Distinctively Visual -Douglas Stewart's Poetry

If you have never considered doing Douglas Stewart's poetry for this module elective, give it some thought. It is some years now since I first analysed the prescribed poems set for study but on re-examination, I am even more impressed by how beautifully written they are. Whereas at times, it seems a bit of a stretch to massage text study to fit the elective focus, these poems work brilliantly because Stewart really has such a distinctively visual focus.
Now working on the next round of Teacher Resource Books, I am once again impressed by the poet's language use. His stylistic genius and mastery of form enables him to capture the visual essence of what he is describing in each poem. The first reading may not amaze you but each subsequent reading draws you into the situational moment, revealing details previously missed. You will find yourself scribbling down annotations for nearly every phrase. Sensory detail is compressed and if set poems were long, this could pose a problem for students but it is their brevity, each one only 1-3 stanzas, that makes it very easy to teach students how to pick out their layered meaning.
When coupled with the sheer abundance and creativity of the poetic techniques he has used and his genuinely distinctive use of visual focussed content and language, it is an excellent prescribed text choice. The poems themselves have also been well selected (not always the case with other options) for each is unique in subject matter and style and yet clearly linked by the poet's ability to evoke a scene, mood or issue. He really does make his reader  'see' with the mind's eye and share his reactions to the visual stimulus he focuses on.
HSC text selection is dictated by the first text chosen but I recommend having a look at Douglas Stewart. I have spoken to some teaches who are considering  Kominos option as an easier 'Distinctive Voice' option, but there is so much students can discuss with regards to Stewart as a 'distinctively visual' poet.
Better get back to writing but wanted to fly a flag for giving this poet's work a second glance if you have not already finalised your text selection for 2015.

Distinctively Visual -Henry Lawson

Henry Lawson's prescribed stories are a popular choice for this Module Elective because they are so accessible. Problems exist however if they are not examined with sufficient focus on his distinctively visual use of language. Most students can readily identify his techniques and particular aspects of his prose style but they often do not build their thesis around how he visually prompts reader interpretation and response. Each story is built around a central experience be it a snake threat, bush courtship, a burning cartridge or a train trip.
This becomes the fulcrum for the author's exploration of character, place and situation. While similarities and contrasts exist across the four stories, Lawson's mastery of the 'show not tell' narrative rule is always evident. He sketches individuals, relationships and place, adding details through inference, commentary and dialogue in the same way that an artist adds brushstrokes. His incisive focus pinpoints traits and elements that prompt his readers to imagine who and what is being depicted.
He wrote about what he experienced first-hand and therefore there is strong feeling of authenticity of what we are shown. One of the other benefits of using Lawson is that studying his short stories can help prepare students for their Section II AOS response. By evaluating how Lawson uses language in a distinctively visual, cameramen like way, they can adopt some of his strategies in their own creative writing. He explores human experience and so this 'voice of the bush' also remains relevant to contemporary readers even though the world he conveys has long since disappeared.